“Time don’t flow right with me these days…. This is a most unconventional love story, where there is not so much a sense of great romance, but of the pathetic attempt to hold on to some previous physical connection. The next story, “Aurora,” details the relationship between a benign drug dealer and his crack-addicted girlfriend. In the end, Yunior vomits on the way home from the party, not because he has eaten, but because he sees the pain that his father is causing to the entire family, especially his mother. The van is symbolic of Papi’s desire to have his own way. Yunior’s carsickness becomes a physical manifestation of the affair, as if the two began around the same time. This is how I always figured Papi would be exposed, out in public, where everybody would know. “I guess the whole night I’d been waiting for a blowup, something between Papi and Mami. Told from the perspective of the middle child, Yunior, we see how this man’s actions spin off into life-altering behaviors how he brings his children to this woman’s house while they go up stairs for sex, how the mother gets a sense of what is amiss, but remains in the dark because those around her will not come out a speak the one word. Overshadowing both this festive occasion and their entire lives is their father’s affair with a Puerto Rican woman. In “Fiesta, 1980” a family travels to a party for some relatives newly arrived from the Dominican Republic.
Each of these stories captures a realistic slice of life that read like they have come out of Díaz’s own life experience. The short stories of Junot Díaz contained in his collection Drown provide a look into the culture of Dominicans in New York City: their lives and loves and a great deal of pain. Junot Diaz Junot Diaz Research Papers delve into a collection of short strories that provide a look into the culture of Dominicans in New York City.
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